We are now the East Valley Pops Orchestra!

We are proud to make St. Mark's Episcopal Church in Mesa our new home. Thank you, Silveridge, for the many years you hosted us. Thank you, also, Friends of the Pops. We were sad to leave our home of almost 20 years.

However, we are excited for what the future will bring. We hope that this new chapter in our lives will open new doors and help us to become a better musical group and to better serve the East Valley community.

Here's to the New Year and a bright future for The East Valley Pops Orchestra!

Special thanks to Margaret Cowgur for taking and sharing these pictures the other day. As always they're excellent!

Please download, print and enjoy!

I've posted several paragraphs here from the New York Times. Click this link to go to the original article.

- Chris

Those founding documents of the Philharmonic — the oldest symphony orchestra in the United States — are now available online, the orchestra announced on Wednesday, thanks to a new $2.4 million grant from the Leon Levy Foundation. It will allow the orchestra to continue to digitize the records in its copious archives going all the way back to its inaugural 1842-43 season.

The documents from that first season, which have been posted on the Philharmonic’s website as the latest installment in its digital collection, paint a vivid picture of the orchestra’s earliest days, when it was founded as the Philharmonic Society of New-York, with an orchestra of 53 members, and charged with “the advancement of Instrumental Music.”

The trove has a drawing of the Apollo Rooms, on the east side of Broadway just south of Canal Street, where the Philharmonic first played. There is a program from its first concert on Dec. 7, 1842 (“to commence at 8 o’clock precisely”), which began with Beethoven’s Fifth Symphony (called his “Grand Symphony in C minor”). There is even a first-edition score.

And there is a review of that very first Philharmonic concert in a weekly gazette called The Albion, which described the event as “the commencement of a New Musical Era, in this western world,” and which praised much of the playing. But it was not an unalloyed rave.

“Being well assured that every individual of this excellent society is solicitous for its prosperity, we are confident that a few observations given in candor and good feeling will be received in that spirit,” the review went on, complaining that “the flute and the clarinet were somewhat too flat,” and that “the violins behind the leader were not in good tune together after the first piece.” It also recommended that “the members of the orchestra refrain from all unnecessary conversation whilst in their places.”

The Philharmonic’s Digital Archives, which were first put online in 2011, already have 1.3 million pages of material from 1943 through 1970, including 1,781 scores marked up by conductors, among them Leonard Bernstein; 15,896 orchestral parts marked by Philharmonic musicians; 3,235 printed programs; 16,339 photographs and images; and 4,069 folders of business documents. Each document was painstakingly photographed so it could be made available to music lovers, historians, sociologists and the simply curious.

The first season’s documents include the orchestra’s first annual report, disclosing that it spent $41.75 for “engraving ticket plate and printing tickets,” and a subscriber list showing that one of its patrons that first season was “Moore, C. C.” — believed to be Clement Clarke Moore, the biblical scholar who has often been cited as the author of the poem known as “The Night Before Christmas.”

The archive also gives glimpses of the lives of the Philharmonic’s musicians. There is a picture of the orchestra’s founder and first president, Ureli Corelli Hill, and a copy of one of the ornate membership certificates that players received.

The bylaws give a hint of what was on the minds of musicians. Rules call for performing the symphonies, overtures and big orchestral pieces first at all rehearsals; for fining members 50 cents for missing rehearsals; and even for providing a measure of relief in an age when it was common for musicians to stand during concerts: “Seats shall be provided for the Orchestra at Rehearsals and Concerts, whenever practicable.”

When the work is completed, the digital archive will contain almost three million pages — the orchestra’s entire archive through 1970, and all public documents after 1970.

Among the future highlights, the Philharmonic said, would be first editions of Berlioz’s “Benvenuto Cellini” and Wagner’s “Rienzi” overture, and a score of Beethoven’s Symphony No. 7 with evidence of a spat between two of the orchestra’s most illustrious music directors.

The score bears the markings of Gustav Mahler, who made some changes to it when he led the orchestra. Those changes apparently offended Arturo Toscanini, who led the ensemble from 1928 to 1936: He wrote on the score“unworthy of such a musician” and signed his name.

http://www.nytimes.com/2014/02/06/arts/music/new-york-philharmonics-archives-going-online.html

A very happy New Year to all! Julie and I are looking forward to our Spring concert series. Be safe and see you all soon.

Musically yours,

Chris

We've just finished our Holiday concert series and we're taking a short break until January. Here's some photos put together from our last concert at Mesa Spirit.

Merry Christmas and Happy Holidays!

- Chris

Today is the first rehearsal of the new season! I know that Julie and I are looking forward to making some more excellent music with the orchestra. We've got a good set of new music for the upcoming Christmas concerts, as well as a great selection of old classics.

To all our players: Welcome back! Looking forward to working with you all again this season.

To our audiences: We're looking forward to entertaining you with our music!

Here's to a great season everyone.

Cheers!

- Chris

Every season ends with a great sense of accomplishment: We have an extraordinary group of talented musicians from all walks of life that continues to grow and improve. We produce many great concerts throughout the year, entertaining hundreds of people. And, in our audiences, we have people continually tell us that they have been attending our concerts for years and that this year is the best that it has ever been.

In some ways, it seems hard to match or even beat that. However, it's really easy. We just keep doing what we do best: make great music, strive for excellence, aim to please our audiences. Thanks to all of you in the orchestra that make this a reality. Thanks to all of you in the audiences that inspire us to keep on doing what we do! And, of course, thanks to the FRIENDS!

I've posted the dates for next season's concerts on the CALENDAR, and as I add dates I will update the web page. Please take a look!

Best regards,

Chris

In preparation for our upcoming 2012-13 season, I have posted an updated calendar with our current concert schedule. There may be some more additions as we get the season underway, so stay tuned!

Also, on another note, I've added some more pictures and recordings to the website. Enjoy!